Gnostic Meditation
6: Imagination, Inspiration and Intuition
| 6: Imagination, Inspiration and Intuition |
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| Written by Gnostic Instructor | |||
Questions from the Previous LectureQuestion: With trying to imagine the image of the apple and holding on to that... What happens to me is that I get glimpses of it over and over.
The beginning for all meditators is the same. We have to learn how to imagine, but with perfect concentration. And on that foundation comes everything else. So you have to persist. Little by little that capacity develops in us, if we are working in the right way and if we are working with the right tools. It is part of the consciousness to be able to do it. It just takes patience. Question: The other thing I noticed is that I could conjure up the concept of the apple, but that is not right. Answer: You are exactly right. The concept is just part of the mind. The image is something else. The concept is an idea. You can have the idea of the apple, a thought - "apple." But the image is different. The picture is different. It is like the same thing if you have all these ideas about what its like in Italy. But when you have been there, and you have seen it, the experience wipes out all the ideas. It totally transcends them. It is exactly the same with meditation. When you perceive something directly, then you do not need the thought. The thoughts become irrelevant. Question: I have had a struggle, on a personal level, with imagining the Divine Mother. My heart wants to see her in a certain way. I can create an image and usually I get an idea and I see an image. I am having a real tough time every time I think of a God image and it feels like her. Answer: What happens? Question: Somehow it feels like an illusion. Answer: Who says that? Question: My mind. Answer: Your own mind is producing the resistance. Question: Do I have to satisfy the mind or what? If I am going to visualize the Divine Mother, how might I go about coming up with an image I can trust or feel for? Answer: With your heart. Not your mind. In the case of the apple it is the same thing. If I tell you, "Imagine the apple." An image will appear, maybe just a quick flash, but there is something. But then your mind says, "No, no, no, no! It should not be green! It should be red!" And then your mind is trying to change it. It is the same as your Divine Mother. You think, "Oh my Divine Mother!" Then you imagine something and then your mind says, "No! She would not look like that, it is too Disney!" (laughter) And that is the mind. But you see, the images spontaneously arise. That is what we have to learn to maintain, and that is kept pure by developing attention and learning how to differentiate between the taste of conscious imagery and the taste of the mind. And that is exactly what we are going to talk about today. Of course, in the beginning we may not even be capable of perceiving the arising of any conscious imagery. Some of us may have a mind that is so active with thoughts, words, ideas, concepts, etc, that we are sitting in a chaos of thinking and there is not enough of a break for any imagery to break through. In this case, we simply need to deepen our concentration and relaxation (drowsiness). When these two are properly developed, we become stabilized enough that we can start to distinguish all of the individual elements that arise within, and that includes any form of imagery. For the person who struggles with thoughts and is unable to visualize easily, I suggest that they work before and after sleeping, or at any time that a nap sounds good. In those moments, the body is naturally relaxed and the predisposition to imagine (to dream) is quite strong, so it is easier to create visualizations. Question: When I imagine the apple, it changes. It changes shape, it changes color and not because I am manipulating it... it starts to rotate and I will have a zoom-in effect and it gets very detailed but I am wondering, am I unconsciously manipulating it... Answer: There are a number of things that are happening there. What you need to develop is the capacity to maintain it, to control the imagery, with conscious willpower. So if you have the capacity to perceive an image, the next step is to control how you perceive it. It is the difference between controlling it from self-will or ego, and controlling it from conscious will, and that is a very subtle differentiation. That line is as thin as a razor blade. That exact line is what differentiates a demon from an angel; it is the line of self-will. Learning to differentiate that takes a lot of practice. But in the beginning what I would recommend is to pick an image that has an objective form; so for example, something you know exists a certain way, like a painting; it could be of the Divine Mother, it could be any sacred image. Study that physically; "This is the shape this is the image, this is the color, this is how it works." And then transfer that into your imagination and hold it. Learn to hold it. The consciousness naturally wants to use it and go deeper and show you other things. But in the beginning you have to know how to stabilize it. That is the first part. What might be good if you have a capacity to perceive an image is to pick something more complex. If an apple appears naturally and you are able to move it and see it easily, pick something more like a tangka of the Wheel of Samsara, which will require a great deal of concentration and imaginative power. So you can try to study something that is more complex. This wheel of life is extraordinarily complicated and this would take a lot of development to be able to imagine it perfectly. And there are of course meditators who do that. Lecture Six: Imagination, Inspiration, and Intuition
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Answer: You are doing it. That is it. You simply continue and keep returning to building the image in that space. That is why meditators use tangkas (Tibetan paintings; see example on right). The reason those were painted, all those fantastic complicated images, was to help the meditator develop visualization. It was not to put God into a form. So beginning monks will learn first how to meditate to visualize something simple like an apple or a rock, or just a simple image of the Buddha. And they will start with one part of the body, the eyes, the mouth, or the hand and they will work to visualize that. Gradually, little by little, they add details. And the opposite is true of all the great artists. They began studying the image in their imagination and they translated that into the physical world. Really great art, really great music is accomplished in that way.





Zachariah makes this comment
Thursday, 28 January 2010